壳 》系列中,艺术家将宝丽来即时显影胶片拍摄的照片,以手工移膜的方式,固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在,它一边生命提供着安全感,一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳,提示着对永恒与当下,轻与重,脆弱与顽固,自由与安全感等对立问题在人与社会之间的平衡的思考。  In this series, the artist  fixed the Polaroid instant film photographes onto Pinctada maxima she

壳 》系列中,艺术家将宝丽来即时显影胶片拍摄的照片,以手工移膜的方式,固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在,它一边生命提供着安全感,一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳,提示着对永恒与当下,轻与重,脆弱与顽固,自由与安全感等对立问题在人与社会之间的平衡的思考。

In this series, the artist fixed the Polaroid instant film photographes onto Pinctada maxima shell by Emulsion Lifts. As a protective shell, the shell is often exsited much long than their lives and their soft bodies. It is both life's shelter and its anchor of burden.. The image on soft film and the hard shell suggest the thinking of balance between eternity and the present, lightness and heaviness, fragility and stubbornness, freedom and security, etc.

《壳:昨日》贝壳,宝丽来即时显影胶片,漆,铝,整体116cm x88cm x8cm,2025

Shell:Yesterday:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 88(H)*116*8cm,2025

SD2DCIM103HASBLB0013792.JPG_thumbnail.jpg
 《壳:一次离别》贝壳,宝丽来即时显影胶片,漆,铝,整体112cm x82cm x8cm,2025  Shell:A farewell:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 82(H)*112*8cm,2025

《壳:一次离别》贝壳,宝丽来即时显影胶片,漆,铝,整体112cm x82cm x8cm,2025

Shell:A farewell:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 82(H)*112*8cm,2025

SD2DCIM103HASBLB0013793.JPG_thumbnail.jpg
 《幸福感》“幸福感(Sense of happiness)是指人类基于自身的满足感与安全感而主观产生的一系  列欣喜与愉悦的情绪。” 作品中的贝壳(shell of Hyotissa hyotis)粗糙且非常沉重,人物肖像以轻薄的感光乳剂膜的形式附作于贝壳内部,在此处被视为一种当下的存在。二者依然构建了坚硬与柔软,破坏与感全感等诸多看似对立的概念并存显现建立了矛盾的关系,试图通过贝壳作为一种普遍存在的保护机制来理解社会,以及其构建的安全感对幸福感的塑造。  In this work, the

《幸福感》“幸福感(Sense of happiness)是指人类基于自身的满足感与安全感而主观产生的一系

列欣喜与愉悦的情绪。” 作品中的贝壳(shell of Hyotissa hyotis)粗糙且非常沉重,人物肖像以轻薄的感光乳剂膜的形式附作于贝壳内部,在此处被视为一种当下的存在。二者依然构建了坚硬与柔软,破坏与感全感等诸多看似对立的概念并存显现建立了矛盾的关系,试图通过贝壳作为一种普遍存在的保护机制来理解社会,以及其构建的安全感对幸福感的塑造。

In this work, the shell (shell of Hyotissa hyotis)—coarse and ponderous— portraits image rendered in emulsion, adhered to its interior as an embodiment of fleeting presence. Together, they try to manifest a dialectic of tensions: hardness and softness, rupture and reassurance, among other seemingly oppositional forces. Through the shell—a natural archetype of protection—the piece try to interrogates societal structures and the way constructed security shapes our very notion of happiness.

 幸福感:手工移膜大画幅宝丽来于贝壳上,贝壳,相纸,矿物颜料,漆,20cm x 20cm x 8cm (共8件) ,2024 整体尺寸可变,2024  Sense of happiness:Hand made Large format Polaroid Emulsion Lifts onto the shell  seashell, Film,Mineral Pigments,varnish, Variable overall dimensions,20(H)*20*10cm (x 8piece

幸福感:手工移膜大画幅宝丽来于贝壳上,贝壳,相纸,矿物颜料,漆,20cm x 20cm x 8cm (共8件) ,2024 整体尺寸可变,2024

Sense of happiness:Hand made Large format Polaroid Emulsion Lifts onto the shell

seashell, Film,Mineral Pigments,varnish, Variable overall dimensions,20(H)*20*10cm (x 8pieces) ,2024

幸福感8.png
 The Meditations:Youth Archives  The work combines the shells with Polaroid paper via emulsion lift  to construct a new way of image expression. In this series,The portraits on shells, like living on a fictitious "Noah's Ark", living in a free but fr

The Meditations:Youth Archives

The work combines the shells with Polaroid paper via emulsion lift to construct a new way of image expression. In this series,The portraits on shells, like living on a fictitious "Noah's Ark", living in a free but fragile mental shelter. <The Meditations:Youth Archives>continues with portraits which the artist directorial photography of body performers on the waterside at countryside. The translucent images here stay in the shell, which Just like the precious emotion hiding in shelter of sensitive, beautiful,hard but fragile self-esteem in the youth.

The Meditations:Youth Archives:Hand made Polaroid Emulsion Lifts onto the shell:photo paper, lacqxuer 15(H)*15*3cm (x 6 pieces) Variable overall dimensions,2024

图片3.png
B0013699.jpg
图片4.png
14.jpg
 壳 》系列中,艺术家将宝丽来即时显影胶片拍摄的照片,以手工移膜的方式,固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在,它一边生命提供着安全感,一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳,提示着对永恒与当下,轻与重,脆弱与顽固,自由与安全感等对立问题在人与社会之间的平衡的思考。  In this series, the artist  fixed the Polaroid instant film photographes onto Pinctada maxima she
SD2DCIM103HASBLB0013792.JPG_thumbnail.jpg
 《壳:一次离别》贝壳,宝丽来即时显影胶片,漆,铝,整体112cm x82cm x8cm,2025  Shell:A farewell:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 82(H)*112*8cm,2025
SD2DCIM103HASBLB0013793.JPG_thumbnail.jpg
 《幸福感》“幸福感(Sense of happiness)是指人类基于自身的满足感与安全感而主观产生的一系  列欣喜与愉悦的情绪。” 作品中的贝壳(shell of Hyotissa hyotis)粗糙且非常沉重,人物肖像以轻薄的感光乳剂膜的形式附作于贝壳内部,在此处被视为一种当下的存在。二者依然构建了坚硬与柔软,破坏与感全感等诸多看似对立的概念并存显现建立了矛盾的关系,试图通过贝壳作为一种普遍存在的保护机制来理解社会,以及其构建的安全感对幸福感的塑造。  In this work, the
 幸福感:手工移膜大画幅宝丽来于贝壳上,贝壳,相纸,矿物颜料,漆,20cm x 20cm x 8cm (共8件) ,2024 整体尺寸可变,2024  Sense of happiness:Hand made Large format Polaroid Emulsion Lifts onto the shell  seashell, Film,Mineral Pigments,varnish, Variable overall dimensions,20(H)*20*10cm (x 8piece
幸福感8.png
 The Meditations:Youth Archives  The work combines the shells with Polaroid paper via emulsion lift  to construct a new way of image expression. In this series,The portraits on shells, like living on a fictitious "Noah's Ark", living in a free but fr
图片3.png
B0013699.jpg
图片4.png
14.jpg

壳 》系列中,艺术家将宝丽来即时显影胶片拍摄的照片,以手工移膜的方式,固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在,它一边生命提供着安全感,一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳,提示着对永恒与当下,轻与重,脆弱与顽固,自由与安全感等对立问题在人与社会之间的平衡的思考。

In this series, the artist fixed the Polaroid instant film photographes onto Pinctada maxima shell by Emulsion Lifts. As a protective shell, the shell is often exsited much long than their lives and their soft bodies. It is both life's shelter and its anchor of burden.. The image on soft film and the hard shell suggest the thinking of balance between eternity and the present, lightness and heaviness, fragility and stubbornness, freedom and security, etc.

《壳:昨日》贝壳,宝丽来即时显影胶片,漆,铝,整体116cm x88cm x8cm,2025

Shell:Yesterday:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 88(H)*116*8cm,2025

《壳:一次离别》贝壳,宝丽来即时显影胶片,漆,铝,整体112cm x82cm x8cm,2025

Shell:A farewell:Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 82(H)*112*8cm,2025

《幸福感》“幸福感(Sense of happiness)是指人类基于自身的满足感与安全感而主观产生的一系

列欣喜与愉悦的情绪。” 作品中的贝壳(shell of Hyotissa hyotis)粗糙且非常沉重,人物肖像以轻薄的感光乳剂膜的形式附作于贝壳内部,在此处被视为一种当下的存在。二者依然构建了坚硬与柔软,破坏与感全感等诸多看似对立的概念并存显现建立了矛盾的关系,试图通过贝壳作为一种普遍存在的保护机制来理解社会,以及其构建的安全感对幸福感的塑造。

In this work, the shell (shell of Hyotissa hyotis)—coarse and ponderous— portraits image rendered in emulsion, adhered to its interior as an embodiment of fleeting presence. Together, they try to manifest a dialectic of tensions: hardness and softness, rupture and reassurance, among other seemingly oppositional forces. Through the shell—a natural archetype of protection—the piece try to interrogates societal structures and the way constructed security shapes our very notion of happiness.

幸福感:手工移膜大画幅宝丽来于贝壳上,贝壳,相纸,矿物颜料,漆,20cm x 20cm x 8cm (共8件) ,2024 整体尺寸可变,2024

Sense of happiness:Hand made Large format Polaroid Emulsion Lifts onto the shell

seashell, Film,Mineral Pigments,varnish, Variable overall dimensions,20(H)*20*10cm (x 8pieces) ,2024

The Meditations:Youth Archives

The work combines the shells with Polaroid paper via emulsion lift to construct a new way of image expression. In this series,The portraits on shells, like living on a fictitious "Noah's Ark", living in a free but fragile mental shelter. <The Meditations:Youth Archives>continues with portraits which the artist directorial photography of body performers on the waterside at countryside. The translucent images here stay in the shell, which Just like the precious emotion hiding in shelter of sensitive, beautiful,hard but fragile self-esteem in the youth.

The Meditations:Youth Archives:Hand made Polaroid Emulsion Lifts onto the shell:photo paper, lacqxuer 15(H)*15*3cm (x 6 pieces) Variable overall dimensions,2024

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